MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03710nam a2200349 a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
PH-SATS |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20250227105822.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
170403s19uu xx 00 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0802809839 |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
St. Andrew's Theological Seminary |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ML 3000 |
| Item number |
.H39 2003 |
| 100 10 - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hawn, C. Michael |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Gather into one : |
| Remainder of title |
praying and singing globally / |
| Statement of responsibility, etc. |
C. Michael Hawn. |
| 260 0# - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Grand Rapids, Mich : |
| Name of publisher, distributor, etc. |
W.B. Eerdmans Pub, |
| Date of publication, distribution, etc. |
c2003. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xx, 308 p.; 24 cm. |
| 440 #0 - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Calvin Institute of Christian Worship Liturgical Studies series |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Contents: |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
From center to spectrum, praying and singing globally: Center versus periphery dichotomy-- Singing and praying for the sake of the world-- A starting place, distinguishing bias and prejudice-- Liturgical plurality, diversity of songs, unity of spirit-- Purpose, delimitations and methodology-- The road to meaning in music, related literature-- Music and semiology, asking new questions-- A liturgical trilemma |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
The fiesta of the faithful, Pablo Sosa and the contextualization of Latin American hymnody: Growing up in Argentina-- Argentine ethnic demographics-- Argentine politics-- A heritage of popular Argentine poetry-- Pablo Sosa, pastoral musician-- Pablo Sosa, poet-- Pablo Sosa, the contextual theologian-- Pablo Sosa, hymnal editor and recording producer-- Pablo Sosa, the ecumenical liturgist-- Decontextualizing Pablo Sosa-- Recontextualizing the work of Pablo Sosa for the United States |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Sounds of Bamboo, I-to Loh and the development of Asian hymns: A brief biography-- Life as a teacher, hymnologist, and ethnomusicologist-- An analysis of Sound the Bamboo (1990)-- Asian hymns in Western hymnals-- Guidelines for the publication of cross-cultural music in the West-- The process of musical inculturation and Sound the Bamboo (1990)-- I-to Loh's contributions to Sound the Bamboo (1990)-- Sound the Bamboo (2000)-- I-to Loh's work today-- The impact of I-to Loh's work in Asia |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Singing freedom, David Dargie and South African liberation song: Introduction to recent South African politics-- Father Dargie, a vocational response to Vatican II in liturgy and song-- The making of a musical liberator-- Andrew Tracey and ethnomusicological study-- Church music composition workshops-- Church music from South Africa-- The hymns of Ntsikana-- What is liberation hymnody-- Conclusion |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
The Spirit of Ngoma: Patrick Matsikenyiri and indigenous song in Zimbabwe: Brief history of Zimbabwe-- Living in old mutare and modern mutare-- From local church musician to global animateur-- Music in African culture and worship-- Ngoma, an African conceptual framework for music-- The songs-- Conclusion |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
The wild goose sings, John Bell and the music of Iona community: The Iona of Saint Columba (521-97 C.E.)-- The Iona of George MacLeod (1895-1991)-- John Bell and Graham Maule and the formation of the wild goose worship group-- Themes of Iona liturgy and music-- Conclusion |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Form and ritual, sequential and cyclic musical structures and their use in liturgy: Characteristics of sequential musical structures-- Characteristics of cyclic musical structures-- Musical structures and ritual |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
The church musician as enlivener: Mapping the liturgical and musical field of the enlivener, living in liminality-- The office of the enlivener-- A North American enlivener, Mary Oyer |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Polyrythmic worship |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Church music |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Church musicians |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Christianity and culture |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
BOOKS |