| 000 | 17957nam a2202533 a 4500 | ||
|---|---|---|---|
| 003 | PH-SATS | ||
| 005 | 20250227105325.0 | ||
| 008 | 020103s19uu xx 00 eng d | ||
| 040 | _cSt. Andrew's Theological Seminary | ||
| 050 |
_aPER .C65 _b1953 V.58 |
||
| 245 | 1 | 4 | _aThe Commonweal. |
| 260 | 0 |
_aNew York, NY _bCommonweal Foundation _c1953 |
|
| 505 | _aNo. 1 | ||
| 505 | _aAcademic freedom: " it will endure only as long as those who profess to have a right to it stand ready to pay for it any price which may be exacted."/George N. Shuster. -- pp. 11-13. | ||
| 505 | _aForeign mission at home: "the deepest need of the Catholic foreign student is to acquire a mature, apostolic Christian personality/Lydwine Van Kiersbergen. -- pp. 14-17. | ||
| 505 | _aMarshal Tito comes to call/MIchael P;. Fogarty. -- pp. 18-22. | ||
| 505 | _aThe screen: where she danced/Philip T. HArtung. -- pp. 24. | ||
| 505 | _aA portrait of the artist as critic/Patrick F. Quinn. -- pp. 26-27. | ||
| 505 | _aNo. 2 | ||
| 505 | _aClericalism, anti-clericalism: as part its own battle-scarred vocabulary, the nineteenth century has left us "clerical" and "anti-clerical)/Frederick E. Flynn. -- pp. 43-47. | ||
| 505 | _aAmending Taft-Hartley/John C. Cort. -- pp. 48-49. | ||
| 505 | _aNew forces and new faces/Richard C. Hottelet. -- pp. 49-51. | ||
| 505 | _aThe stage: Camino real/Richard Hayes. -- pp. 51-52. | ||
| 505 | _aThe screen: fugue played with guns/Philip T. Hartung. -- pp. 52-53. | ||
| 505 | _aCommunications: Sidney Hook/John E. Connor. -- pp. 54. | ||
| 505 | _aThe ultimate detachment of a free spirit/Richard Butler. -- pp. 55-57. | ||
| 505 | _aJewish American: commentary on the American scene/Seymour Krim. -- pp . 58-59. | ||
| 505 | _aNo. 3 | ||
| 505 | _aSpeaking of policies/John Cogley. -- pp. 66. | ||
| 505 | _aAn American in Asia: "every American in India who was made a genuine effort to know the Indian people as human beings has been richly rewarded/Chester Bowles. -- pp. 67-70. | ||
| 505 | _aThe political uses of peace/Gunnar D. Kumlien. -- pp. 70-72. | ||
| 505 | _aThe stage: room service/Richard Hayes. -- pp. 72. | ||
| 505 | _aThe screen: what are the little films saying?/Philip T. Hartung. -- pp. 73. | ||
| 505 | _aCommunications: the Lattimore case/Thomas E. Kennelly. -- pp. 74-75. | ||
| 505 | _a"Is there a religious noise?/Anne Fremantle. -- pp. 75-77. | ||
| 505 | _aSurface and substance in a major talent/Seymour krim. -- pp. 78. | ||
| 505 | _aThe coin of tribute: the realm of spirit and the realm of Ceasar/Pierre Conway. -- pp. 79. | ||
| 505 | _aA key to Asia: five gentleman of Japan/William Pfaff. -- pp. 79-80. | ||
| 505 | _aNo. 4 | ||
| 505 | _aThe Mayor of Florence: the florentines have put a Christian in City Hall who, they say, is more communist than the communists/Vanna Philips. -- pp. 91-93. | ||
| 505 | _aCatholicism in America: as citizens, Catholics do well to remember that "in politics as in science the church need no seek her own ends."/William P. Clancy. -- pp. 94-96. | ||
| 505 | _aHave we really got it so good?/R. W. Faulhaber. -- pp. 97-99. | ||
| 505 | _aThe screen: design for chilled spine/Philip T. Hartung. -- pp. 99-100. | ||
| 505 | _aThe stage: angelic doctor/Richard Hayes. -- pp. 100. | ||
| 505 | _aCommunications: need for light/Robert McAfee Brown. -- pp. 100-102. | ||
| 505 | _aSeeing the man beyond the legend/Neville Braybrooke. -- pp. 103. | ||
| 505 | _aThe humanistic vocation of literature/John W. Simons. -- pp. 106-107. | ||
| 505 | _aNo. 5 | ||
| 505 | _aDemocratizing/John Cogley. -- pp. 114. | ||
| 505 | _aThe finaly case: the Catholic and Jewish communities in France are divided over the fate of two war orphans/Robert Barrat. -- pp. 115-117. | ||
| 505 | _aA Protestant looks at Catholics/Reinhold Niebuhr. -- pp. 117-120. | ||
| 505 | _aA man from India/John C. Cort. -- pp. 120-121. | ||
| 505 | _aThe screen: a man must stand up/Philip T. Hartung. -- pp.121-122. | ||
| 505 | _aThe voice of Tito/Evelyn Waugh. -- pp. 122-125. | ||
| 505 | _aThe early phase of an American Writer/Wayne Andrews. -- pp. 125- | ||
| 505 | _aThe "little life" of everyman/Frank Getlein. -- pp. 126-127. | ||
| 505 | _aDetails and trends of history: the mind of the Middle Ages --A.D. 200-1500, an historical survey/Max Fischer. -- pp. 128. | ||
| 505 | _aNo. 6 | ||
| 505 | _aMy novels: "to write one book, just one, that would absolve me from writing any other one: I have never begun a novel without hoping"/Francois Mauriac. -- pp. 140-143. | ||
| 505 | _aThe magic of Mauriac: " to love for his heroes and heroines, is to fall victim to a kind of trick or mirage."/Donat O'Donnell. -- pp. 144-150. | ||
| 505 | _aThe stage: Bleak house/Philip T. Hartung. --- pp. 151-153. | ||
| 505 | _aThe "innocence" of an art which endures/George Miles. -- pp. 154. | ||
| 505 | _aCampus communism: heresy, yes--conspiracy, no/John Cogley. -- pp. 155-156. | ||
| 505 | _aNo. 7 | ||
| 505 | _aPeople and food: "no political leader, however powerful, no economist, whoever learned, has the slightest right to interfere with the birth of children"/Colin Clark. -- pp. 171-173. | ||
| 505 | _aA Jew looks at Catholics: comments made in in the hope that American Catholics will see themselves as a friendly outsider sees them/Will Herberg. -- pp. 174-177. | ||
| 505 | _aThe artless art of Italiam films/Gunnar D. Kumlien. -- pp. 177-179. | ||
| 505 | _aThe stage: modest proposals/Richard Hayes. -- pp. 179-180. | ||
| 505 | _aThe screen: old hickory smoked/Philip T. Hartung. -- pp. 180-181. | ||
| 505 | _aTawney as Christian socialist/Geoffrey Ashe. -- pp. 182-183. | ||
| 505 | _aOne woman: Mary Magdalene/Anne Fremantle. -- pp. 184-185. | ||
| 505 | _aThe long struggle: go tell it on the mountain/T.E. Cassidy. -- pp. 186. | ||
| 505 | _aNo. 8 | ||
| 505 | _aArab refugees: hundreds of thousands of Palestinian Arabs in camps throughout the Middle East still dream returning home/Jules Kagian. -- pp. 195-196. | ||
| 505 | _a"They servant, our Queen/Donald Attwater. -- pp. 197-198. | ||
| 505 | _aAn uncertain courtship/John C. Cort. -- pp. 199-200. | ||
| 505 | _aThe stage: can-can/Richard Hayes. -- pp. 200. | ||
| 505 | _aThe Screen: strong men-weak minds/Philip T. Hartung. -- pp. 201. | ||
| 505 | _aCommunications: liturgical art/Clarence E. Giese. -- pp. 201-202 | ||
| 505 | _aMorals Makyth movies/Gerald Vann. -- pp. 203-204. | ||
| 505 | _aThe ordered insight which is earned/R.J. Schoeck. -- pp. 205. | ||
| 505 | _aA flight from man -- and God/Michael Harrington. -- pp. 206-207. | ||
| 505 | _aThe Revelation of man to man/Emeric A. Lawrence. -- pp. 207-208. | ||
| 505 | _aNo. 9 | ||
| 505 | _aStrangers to their own: no happy ending is in sight for three thousand American-German children of Negro blood/Manfred George. -- pp. 219-221. | ||
| 505 | _aCatholics and American democracy/John Cogley. -- pp. 221-24. | ||
| 505 | _aThe wages of virtue/Michael P. Fogarty. -- pp. 225-226. | ||
| 505 | _aThe stage: the New York City opera/Richard Hayes. -- pp. 226-227. | ||
| 505 | _aThe screen: where angels fear/Philip T. Hartung. -- pp. 227-228. | ||
| 505 | _aCommunications: "clericalism, anti-clericalism/Francis B. Donnelly. -- pp. 228-229. | ||
| 505 | _aJung and the Christians/Karl Stern. -- pp. 229-231. | ||
| 505 | _aThe reconciliation of art and intelligence: feeling and from: a theory of art development from philosophy in a new key/Robert Fitzgerald. -- pp. 231-232. | ||
| 505 | _aOne who believed in man: father Tommpkins of Nova Scotia/Leo R. Ward. -- pp. 232-233. | ||
| 505 | _aNo. 10 | ||
| 505 | _aContemplatives in India: Benedictine Monks are modifying the Christian monastic tradition to fit the mood and culture of the orient/Roland Hill. -- pp. 243-246. | ||
| 505 | _aCatholics and American democracy/John Cogley. -- pp. 245-248. | ||
| 505 | _aThe screen: a buss for bess/Philip T. Hartung. -- pp. 249. | ||
| 505 | _aCommunications: "a Jew looks at Catholics"/Francis E. McMahon. -- pp. 250. | ||
| 505 | _aA center for social action: Ciudad Trajillo, Dominican Republic/J.H. Steele, S.F.M. -- pp. 250-251. | ||
| 505 | _aThe real world of science fiction/Seymour Krim. -- pp. 252-254. | ||
| 505 | _aOrdeal: Calvary in China/James O'Gara. -- pp. 256. | ||
| 505 | _aA Modern Monarch: King George V: his life and reign, 1865-1936/M.A. Fitzsimons. -- pp. 257-258. | ||
| 505 | _aThe poor man: the hour of St. Francis of Assisi/Claire Huchet Bishop. -- pp. 258-259 | ||
| 505 | _aNo. 11 | ||
| 505 | _aThe Catholic reactionary: an enthusiastic distributor of blinkers, muzzles, handcuffs, gags and earmuffs, he finds in the church not fulfillment, but armor/Eric Von Kuehnelt-Leddihn.-- pp. 267-270. | ||
| 505 | _aCrown, color and witchdoctors/Michael P. Fogarty. -- pp. 271-273. | ||
| 505 | _aThe stage: me and Juliet/Richard Hayes. pp. 273. | ||
| 505 | _aThe screen: the fault, dear Brutus, is not in our stars/Philip T. Hartung. -- pp. 273-274. | ||
| 505 | _aCommunication: "a Protestant looks at Catholics"/J.M. Malloch. -- pp. 274-275. | ||
| 505 | _aHumanist on the stump/Philip J. Scharper. -- pp. 276-278. | ||
| 505 | _aTo recover a concept and a tradition/Frederick D. Wilhelmsen. -- pp. 278-279. | ||
| 505 | _aLife of the spirit: Christ the ideal of the priest/Alban Baer. -- pp. 282-283. | ||
| 505 | _aNo. 12 | ||
| 505 | _aBritain and the far east: an analysis of British opinion in an area where Anglo-American relations are most strained/Harold C. Hinton. -- pp. 291-293. | ||
| 505 | _aCatholic separatism/John J. Kane. -- pp. 293-276. | ||
| 505 | _aThe stage: poets in the theater/Richard Hayes. -- pp. 297-298. | ||
| 505 | _aThe screen: movies' answer to movies/Philip T. Hartung. -- pp. 298. | ||
| 505 | _aCommunications: "the finaly case/Robert Sterling. -- pp. 299-300. | ||
| 505 | _aTwo kinds of war/Willim Pfaff. -- pp.300-302. | ||
| 505 | _aThe building of a bridge: section 1: a yearbook of contemporary thought in anthropology, Biblical study, psychology, philosophy, theology, biology/John W. Simons. -- pp. 304-307. | ||
| 505 | _aNo. 13 | ||
| 505 | _aFear and freedom: "we are never free from the danger of reducing unity in university to uniformity"/Jerome G. Kerwin. -- pp. 315-317. | ||
| 505 | _aSetback for the Christian democrats/Gunnar D. Kumlien. -- pp. 318-320. | ||
| 505 | _aBefore you walk, you crawl/John C. Cort. -- pp. 320-322. | ||
| 505 | _aThe screen: "this scepter'd isle"/Philip T. Hartung. -- pp. 322-323. | ||
| 505 | _aOf Note: totalitarianism/ -- pp. 323-324. | ||
| 505 | _aTheir profession was war/Nobert Muhlen. -- pp. 324-325. | ||
| 505 | _aA Victorian proto-martyr of the arts/Marshall McLuhan. -- pp. 326-327. | ||
| 505 | _aNo. 14 | ||
| 505 | _aBeing an Irish writer: booby traps lie in wait for every writers, but they have a special lure for the provincial/Sean O'Faolain. -- pp. 339-341. | ||
| 505 | _aClergy and laity/Joseph M. Duffy, Jr. -- pp. 341-345. | ||
| 505 | _aMarx, morals, and the vacuum/Michael P. Fogarty. -- pp. 345-347. | ||
| 505 | _aThe screen: what no toast?/Philip T. Hartung. -- pp. 348. | ||
| 505 | _aOf note: end of segregation/ -- pp. 348-350. | ||
| 505 | _aThe lectern and the judgements seat/Frank Getlein. -- pp. 350. | ||
| 505 | _aTwo histories: Christianity in European history/Philip Burnham. -- pp. 351-353. | ||
| 505 | _aNo. 15 | ||
| 505 | _aRevolt of the children: they were born into a world where life itself has been devalued/Manya Harari. -- pp. 363-365. | ||
| 505 | _aThe woman who was rich/Gunnar D. Kumlien. -- pp. 366-367. | ||
| 505 | _aThe Hearn's strike/John C. Cort. -- pp. 367-369. | ||
| 505 | _aThe screen: and made of green cheese/Philip T. Hartung. -- pp. 369. | ||
| 505 | _aCommunications: "clericalism, anti-clericalism/Frederick E. Flynn. -- pp. 370. | ||
| 505 | _a"Catholicism in American/Laurence Michel. -- pp. 370-371. | ||
| 505 | _aThe cosmic struggle: for the sake of heaven/Will Herberg. -- pp. 372. | ||
| 505 | _aNo. 16 | ||
| 505 | _aSpain today: "while one may not have liberties in Spain, one may take them with a certain assurance of success"/Robert H. Boyle. -- pp. 387-389. | ||
| 505 | _aCatholics and politics: as voters, Catholics and non-Catholics alike tend to take on the political coloration of their economic class/Daniel F. Cleary. -- pp. 390-392. | ||
| 505 | _aTrouble comes to memphis/William H. Slavick. -- pp. 392-394. | ||
| 505 | _aThe stage: Martha Graham's theater/Richard Hayes. -- pp. 394-395. | ||
| 505 | _aThe screen: in the cool, cool, cool of the movie/Philip T. Hartung. -- pp. 395-396. | ||
| 505 | _aCommunications: "Catholic separatism"\Hugh Dickinson. -- pp. 396-397. | ||
| 505 | _aAn analysis of the American political temper: the genius of American politics/John W. Lukacs. -- pp. 397-398. | ||
| 505 | _aNo. 17 | ||
| 505 | _aLove among the ruins: a romance of the near future with decorations by various eminent hands including the authors's/Evelyn Waugh. -- pp.410-422. | ||
| 505 | _aThe stage: a backward glance/Richard Hayes. -- pp. 423. | ||
| 505 | _aThe screen: hitch your wagon/Philip T. Hartung. -- pp. 423-424. | ||
| 505 | _aThe squander of innocence/Doris Grumbach. -- pp. 425. | ||
| 505 | _aSharp dissension: Soviet imperialism: its origin and tactics/John A. Lukacs. -- pp. 426. | ||
| 505 | _aNo. 18 | ||
| 505 | _aRights of the guilty: "in coping with the communist threat, we have perhaps endangered our safety more than a spy could ever go"/Michael Harrington. -- pp.435-437. | ||
| 505 | _aCatholics and education/Joseph E. Cunneen. --pp. 437-441. | ||
| 505 | _aThe screen: "square cut or pear shape"/Philip T. Hartung. -- pp. 442-444. | ||
| 505 | _aBarracdes in the background/Hans Sahl. -- pp. 445-446. | ||
| 505 | _aThe giant of the Irish revival: three great Irishmen, shaw, yeats, Joyce/Walter Kerr. -- pp. 446-447. | ||
| 505 | _aNo. 19 | ||
| 505 | _aTwo poverties: " in a orwell began where Bloy had left off and left off where Bloy had begun/Neville Braybrooke. -- pp. 459-461. | ||
| 505 | _aCatholics and education/Joseph E. Cunneen. -- pp. 461-464. | ||
| 505 | _aThe Rosenberg case/Robert Barrat. -- pp. 464-466. | ||
| 505 | _aThe screen: suds in your eye/Philip T. Hartung. -- pp. 466-467. | ||
| 505 | _aAlger Hiss and the Earl Jowitt/James N. Vaugh. -- pp. 467-479. | ||
| 505 | _aA Catholic evaluation of psychoanalysis/William C. Bier. -- pp. 470-471. | ||
| 505 | _aNo. 20 | ||
| 505 | _aThe Catholic assimilationist: "he believes implicitly in the Goddness of all winds, waves and currents"/Erik Von Kuehnelt-LEddihn. -- pp. 483-486. | ||
| 505 | _aUnity in the making/JOhn C. Cort. -- pp. 486-488. | ||
| 505 | _aThe screen:gentlemen-rankers on a spree/Philip T. Hartung. -- pp. 488-489. | ||
| 505 | _aCommunications:"the church today"/Victor C. Ferkiss. -- pp. 489-490. | ||
| 505 | _aAnglicans and reunion/John M. Todd. -- pp. 490-491. | ||
| 505 | _aA prelate who stood at the center of his times/George N. Shuster. -- pp. 492-493. | ||
| 505 | _aNew philosophy: good and evil/Pierre Conway. -- pp. 494-495. | ||
| 505 | _aApostle: Saint Paul/H.A. Reihold. -- pp. 496. | ||
| 505 | _aNo. 21 | ||
| 505 | _aVisit to Padre Pio: because the humanity of the capuchin mystics is so evident his sanctity is all the more impressive./Sean O'Faolain. -- pp. 507-509. | ||
| 505 | _aCatholic and science/Julian Pleasants. -- pp.509-514. | ||
| 505 | _aThe commonweal and McCarthyism/Philip Burnham. -- pp. 515-520. | ||
| 505 | _aThe screen: no moaning at no bars/Philip T. Hartung. -- pp. 520. | ||
| 505 | _aThe recollections of a Bloomsbury critic/Marshall McLuhan. -- pp. 521. | ||
| 505 | _aNo. 23 | ||
| 505 | _aThe age of advertising: the ads are form of magic which have come to dominate a new civilization/Marshall McLuhan. -- pp. 555-557. | ||
| 505 | _aCatholics and social reform/Edward A. Marciniak. -- pp. 557-560. | ||
| 505 | _aThe screen: riding, riding/Philip T. Hartung. -- pp. 561. | ||
| 505 | _aCommunications: 'the Reosenberg case"/Claire Huchet Bishop. -- pp. 561-562. | ||
| 505 | _aOf note: authority/ -- pp. 563-564. | ||
| 505 | _aThe private necessity/Richard Hayes. -- pp. 564-566. | ||
| 505 | _aNo. 24 | ||
| 505 | _aAfter the brave new world: now naive optimism has yielded to nervous fears and dawnism has turned into twilightism/John J. Wright. -- pp. 579-582. | ||
| 505 | _aCan a psychologist be religious?/Victor White. -- pp.583-584. | ||
| 505 | _aBig bill rides again/John C. Cort. pp. 584-586. | ||
| 505 | _aThe screen: a star is born/Philip T. Hartung. -- pp. 586-587. | ||
| 505 | _aCommunications:"McCarthyism"/John J. Hebal. -- pp. 587. | ||
| 505 | _aTwo Protestant approaches to social problems/John F. Crown. -- pp. 589-590. | ||
| 505 | _aNo. 25 | ||
| 505 | _aIS there a Christian learning: " a catholic scholar is more than, and other than, a Catholic who is a scholar; his learning has some kind of plus value/Leo R. Ward. -- pp. 605-607. | ||
| 505 | _aAmerican houses in Europe/Erik Von Kuehnelt-Leddihn. -- pp. 607-609. | ||
| 505 | _aThe screen: this happy breed/Philip T. Hartung. -- pp. 610. | ||
| 505 | _aCommunication: "Catholic and science/Roy J. Deferrari. -- pp.610-612. | ||
| 505 | _aOf note: contemporary spirituality/ -- pp. 613. | ||
| 505 | _aIndictment: the making of a Moron/Geoffrey Ashe. -- pp. 614-616. | ||
| 505 | _aNo. 26 | ||
| 505 | _aSilence on the left: the new deal marked the decline of American radicalism as revolutionaries turned reformers/Michael Harrington. -- pp. 627-630. | ||
| 505 | _aCatholic radicalism/Ed Willock. -- pp. 630-633. | ||
| 505 | _aThe stage: Anna Russell's little show/Richard Hayes. -- pp. 634. | ||
| 505 | _aThe meeting of theology and history/Erwin W. Geissman. -- pp. 635-636. | ||
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