000			03710nam a2200349 a 4500
003			PH-SATS
005			20250227105822.0
008			170403s19uu xx 00 eng d
020			_a0802809839
040			_cSt. Andrew's Theological Seminary
050			_aML 3000 _b.H39 2003
100	1	0	_aHawn, C. Michael
245	1	0	_aGather into one : _bpraying and singing globally / _cC. Michael Hawn.
260	0		_aGrand Rapids, Mich : _bW.B. Eerdmans Pub, _cc2003.
300			_axx, 308 p.; 24 cm.
440		0	_aCalvin Institute of Christian Worship Liturgical Studies series
504			_aIncludes bibliographical references and index
505			_aContents:
505			_aFrom center to spectrum, praying and singing globally: Center versus periphery dichotomy-- Singing and praying for the sake of the world-- A starting place, distinguishing bias and prejudice-- Liturgical plurality, diversity of songs, unity of spirit-- Purpose, delimitations and methodology-- The road to meaning in music, related literature-- Music and semiology, asking new questions-- A liturgical trilemma
505			_aThe fiesta of the faithful, Pablo Sosa and the contextualization of Latin American hymnody: Growing up in Argentina-- Argentine ethnic demographics-- Argentine politics-- A heritage of popular Argentine poetry-- Pablo Sosa, pastoral musician-- Pablo Sosa, poet-- Pablo Sosa, the contextual theologian-- Pablo Sosa, hymnal editor and recording producer-- Pablo Sosa, the ecumenical liturgist-- Decontextualizing Pablo Sosa-- Recontextualizing the work of Pablo Sosa for the United States
505			_aSounds of Bamboo, I-to Loh and the development of Asian hymns: A brief biography-- Life as a teacher, hymnologist, and ethnomusicologist-- An analysis of Sound the Bamboo (1990)-- Asian hymns in Western hymnals-- Guidelines for the publication of cross-cultural music in the West-- The process of musical inculturation and Sound the Bamboo (1990)-- I-to Loh's contributions to Sound the Bamboo (1990)-- Sound the Bamboo (2000)-- I-to Loh's work today-- The impact of I-to Loh's work in Asia
505			_aSinging freedom, David Dargie and South African liberation song: Introduction to recent South African politics-- Father Dargie, a vocational response to Vatican II in liturgy and song-- The making of a musical liberator-- Andrew Tracey and ethnomusicological study-- Church music composition workshops-- Church music from South Africa-- The hymns of Ntsikana-- What is liberation hymnody-- Conclusion
505			_aThe Spirit of Ngoma: Patrick Matsikenyiri and indigenous song in Zimbabwe: Brief history of Zimbabwe-- Living in old mutare and modern mutare-- From local church musician to global animateur-- Music in African culture and worship-- Ngoma, an African conceptual framework for music-- The songs-- Conclusion
505			_aThe wild goose sings, John Bell and the music of Iona community: The Iona of Saint Columba (521-97 C.E.)-- The Iona of George MacLeod (1895-1991)-- John Bell and Graham Maule and the formation of the wild goose worship group-- Themes of Iona liturgy and music-- Conclusion
505			_aForm and ritual, sequential and cyclic musical structures and their use in liturgy: Characteristics of sequential musical structures-- Characteristics of cyclic musical structures-- Musical structures and ritual
505			_aThe church musician as enlivener: Mapping the liturgical and musical field of the enlivener, living in liminality-- The office of the enlivener-- A North American enlivener, Mary Oyer
505			_aPolyrythmic worship
650			_aChurch music
650			_aChurch musicians
650		4	_aChristianity and culture
942			_2ddc _cBK
999			_c14967 _d14967